Correcting the Slave Narrative by Tom Garback

Horror seems to be an instantly recognizable concept, be it channeled through monsters like vampires and zombies or through criminals, madmen, serial killers, and the like. Diving deeper into the subject, across the mainstream, one may find arthouse films like A24’s The Witch and It Comes at Night. These remind us that horror can have hard-hitting emotion and mature, provocative themes, items greatly lost in popcorn thrillers and torture porn flicks. The most nuanced offerings of the horror genre, and thus the most artistically fruitful, are perhaps works of literary horror. Continue reading Correcting the Slave Narrative by Tom Garback